LIBROS Y MÁS LIBROS

BELL, Daniel (1978), The Cultural Contradictions of Capitalism, New York,
BasicBooks
BENEDETTI, Mario (1999), “Presentación de la Antología, Los espejos y la
Sombra”, El Nuevo Herald, 18 noviembre: 12ª.
BENITEZ-ROJO, Antonio (1992), The Repeating Island: The Caribbean and
The Posmodern Perspective, trad. James MARANISS, Durhan/London:
Duke Univ. Press.
BENJAMIN, Walter (1969), “The Work of Art in the Age of Mechanical
Reproduction”, Illuminations, Hannah ARENDT (ed.), trad. Harry
ZOHN, New York, Schocken Books.
BERIAIN, Josetxo (1990), “Modernidad y sistema de creencias”, En torno a la
Posmodernidad, G. VATTIMO y otros (eds.), Barcelona y Santafé de
Bogotá, Editorial Anthropos y Siglo del Hombre Editores 131-5.
BERMAN, Marshall (1982), All That Is Solid Melts Into Air: The Experience of
Modenity, New York, Penguin Books.
BERMAN, Paul (1996), The Tale of Two Utopias, New York, W.W.Norton & Co.
BERMAN, Sabina (1993), Entrevista con Dante Furia, “Café express con Sabina
Berman”, Macrópolis: 90.
BERNAL, Manuel (1987), Black Athena: The Afroasisatic Roots of Classical Civi-
Lization, New Brunswick, Rutgers Univ. Press.
BERNSTEIN, R. J. (1985), Habermas and Modernity, Cambridge, Polity Press.
BEVERLY, John; OVIEDO, José y ARONNA, Michael (eds.) (1995), The
Posmodernism Debate in Latin America, Durhan/London, Duke Univ.
Press.
BIANCHI, Soledad (1988), “Where to Begin to Grasp This Land?: (Reflections of
Culture and Authoritarianis in Chile: 1973-1986)”, Chile: Dictatorship and
The Struggle for Democracy, GRINOR ROJO y John J. HASSETT (eds.),
Gaithersburg, Hispamérica: 58-88.
BIRDWHISTELL, Ray (1970), Kinetics and Context, Philadelphia, Univ. of Penn.
Press.
BLAU, Herbert (1992), “Ideology, Performance, and the Illusions of Demystification”,
Critical Theory and Performance, Janelle G. REINELT y Joseph R. ROACH
(eds.), Ann Arbor, Univ. of Michigan Press: 430-45.
BODE, Barbara (1961), “The Dance of the Conquest of Guatemala”, The Native
Theatre in Middle America, CORREA, CANNON, HUNTERY y BODE
(eds.), New Orleans, Middle America Research Institute, Tulane Univ,
1961: 203-98.
BONEY, Bradley (1996), “The Lavender Brick Road: Paul Bonin-Rodrigues and
The sissu Bo(d)y”, Theatre Journal 48.1: 35-58.
BONILLA, María (1988), El teatro latinoamericano en busca de su identidad, San José,
Cultur-Art.
- (1997), “Dramatizar la poesía”, Otra mirada 1.4, Costa Rica: 60.
BORDO, Susan R. (1989), “The Body and the Reproduction of Femininity; A Femi-
Nist Appropiation of Foucault”, Gender/Body/Knowledge: Feminist
Reconstructions of Being and Knowing, Alice M. JAGGER y Susan R.
BORDO (eds.), New Brunswick, Rutgers Univ. Press.
BOVENSCHEN, Silvia (1986), “Is There a Feminine Aesthetic?”, Feminine Aesthetics,
Gisela ECKER (ed.), trad. Beth WECKMUELLER, Boston, Beacon
Press.
BRANDAO LEITE, Carlos Antonio (1993), “Romeo e Julieta: O trabalho do dramaturg
Ao sabor do barroco mineiro”, Mascana II.2.20-2.
BRECHT, Bertold (1963), Schriften zum Theater, Vol. 1-5, Frankfurt: Suhrkamp
Verlag.
BRECHT, Stefan (1970), “Sacral Theatre”, The Drama Review 14.3:77-88.
BRIE, César (1996), “Teatro de los Andes”, Tonto del pueblo: Revista de Artes
Escénicas, 1, Bolivia: 108-9.
BRISTOL, Michael D. (1985), Carnival and Theater: Plebeian Cultura and the
Structure of Authority in Renaissance England, New York, Methuen.
BROWN-GUILLORY, Elizabeth (ed.) (1996), Women of Color: Mother-Daughter
Relationships in 20th-Century Literature, Austin, Univ. of Texas Press.
BRUCKNER, D. J. R. (1993), “The Dead Try to Survive and Fail”, The New York
Times, 17 julio: 15.
BRUGAL, Yana Elsa (1996), “Stanislavski y la posesión en el ritual afrocubano”,
Tablas 4: 16-8.
BRUNNER, José Joaquín (1995), “Notes on Modernity and Post-Modernity in
Latin American Culture”, The Postmodernism Debate in Latin America,
John BEVERLY, José OVIEDO y Michael ARONNA (eds.),
Durhan/London, Duke Univ. Press: 34-54.
BRUNS, Gerald L. (1982), Inventions, Writing, Textuality and Understanding in Lite-
rapture History, New Haven, Yale Univ. Press.
BUENAVENTURA, Enrique (1995), Charla en el Congreso de los Coilombianistas,
Noveno Congreso de la Asociación de Colombianistas Norteamericanos,
Sesión Plenaria: “Los directores y dramaturgos como crìticos y /o
teóricos”, Biblioteca Nacional, Santafé de Bogotá, Colombia, 26 de julio.
BURGA, Manuel (1988), Nacimiento de una Utopía. Muerte y resurrección de los
Incas, Lima, Instituto de Apoyo Agrario.
BURGUER, Meter (1984), Theory of de Avant-Garde, Minneapolis, Univ. of
Minnesota Press.
BURNHAM, Linda Frye (1986), “High Performance, Performance, Art and Me”,
The Drama Review 30.1: 15-49.
BUSTAMANTE, Maida, y LLANES, Vivian (1984), “La Escuela Cubana de Ballet en
Latinoamérica”, Conjunto 61/62: 123-7.
BUTLER, Judith (1990), Gender Trouble: Feminist and the Subversión of Identity,
New York, Routledge.
BUTLER, Kim D. (1998), “Ginga Bahiana-The politics of Race, Class, Culture and
Power in Salvador Bahía”, Afro-Brazilian Culture and Politics:
Bahía, 1790s to 1990s, Hendrik KRAAY (ed.), Armonk, N.Y., M.E.
Sharpe: 158-75.
CABRERA, Lydia (1950), “La ceiba y la sociedad secreta abakuá”, Orígenes,
La Habana.
CALDERON, Fernando (1995), “Latin America Odentity and Mixed Temporalities;
or, How to Be Posmodern and Indiana t the Same Time”, The Posmo-
dernism Debate in Latin America, John BEVERLY, José OVIEDO y
Michael ARONNA (eds.), Durhan/London, Duke Univ. Press: 55-64.
CALLOIS, Roger (1979), Man, Play and Games, New York, Schoken.
CAMPA, Ramón V. de la (1977) “Entrevista con el dramaturgo argentino Osvaldo
Dragún”, Latin America Theatre Review 11/1: 84-90.
CARBALLIDO, Emilio (1991), “Una epopeya urbana”, Prologo a “Atlántida” de
Oscar Villegas, Teatro mexicano contemporáneo, Fernando de Ita
(ed.), Madrid, Centro de Documentación Teatral: 1155-60.